Adjunct Faculty, Department of Music, Concordia University—Intro to Music Theory/MIDI-stration & Edison to iPod, 2008-2009
Deep Listening workshop—mini workshop included in Music, Language of Practice lecture series; Bard College, New York, 2005
Les Femmes Branchées—artist talk and presentation of I Dream Eye; Studio XX, Montréal, 2005
SoundPlay Festival—artist talk regarding creative development and design of sound & video in performance; NAISA, Toronto, 2004
Studio for Electro-Instrumental Music (STEIM)—artist talk and presentation of I Dream Eye (work-in-progress); Amsterdam, September 2004
Sonic Meditation workshops—group instruction in Deep Listening practices; ArtsHab, Edmonton, 2001-2003
Computer Music Center—guest artist talk and demo of newly designed sound & video performance software with Luke Dubois; Columbia University, NY, 2002
Tangente— workshop for select Montreal high school students regarding the collaborative process between choreographer (Tania Alvarado) and sound designer/composer (Raylene Campbell); Montréal, 2001
MPTF Educational Tours—Yellowknife, Inuvik, Hay River, Cambridge Bay/Nunavut, and Northern Alberta regions; music education tour (K-12) with Café Musique and George Zuckermann/Eddie Baynes, 1999-2005
Theatre Credits
Afterlife (2008) directed by Stacey Christodoulou—sound design
The Sputniks (2008) written and performed by Elison Zasko—composition, sound design
Johnny Canuck and the Last Burlesque (2006) Mainline Theatre—music performance
Hope Machine (2005) directed by Virginia Preston—video art, videography
Expulsion (2004) directed by Stacey Christodoulou—video art
Tesla Electric (1998) directed by Heather Inglis—sound design, music performance
The Anger in Ernest and Ernestine (1995) directed by Heather Inglis—sound design, music performance
Film Credits
Untitled documentary about feminist queer artists in Canada by Kristen Hutchinson (2024- )—sound design, composition & post-production
Trajectory(2014)—concept/production/creation, with videographer Dylan Rhys Howard
…when it’s real (2002) directed by Helen Folkmann—sound design, composition & post-production
Pretty Good Ball (2000) directed by Mike Caskanette—sound design, composition, & music direction
Ethyl Mermaid (2000) directed by Michelle L—composition and performance (studio recording)
Storms (1999) directed by Tim Folkmann—performance and voice over (studio recording)
Transit (1999) directed by Laura Pollock—composition and performance (studio recording)
Chronotope (1996) directed by Malcolm Parker & Phil Haas—sound recordist/boom
Bibliogeography (1995) directed by Xander Selene—sound recordist/boom
Dance Credits
basin (2022 & 2025)—collaboration with Kate Stashko: composition, design, performance; Edmonton
Sonikinetic (2012)—collaboration with Jeannie Vandekerkhove: composition, design, performance; Edmonton New Music Festival, Edmonton
Danza! Dança! nouvelle danse latin (2001)—collaboration with Tania Alvarado: sound design, composition and performance; Tangente, Montreal
Dancing on the Edge Festival (2000)—collaboration with Tania Alvarado: sound design, composition and performance; Firehall Arts Centre, Vancouver
Dance: Series C (2000)—collaboration with Tania Alvarado: sound design, composition and performance; National Arts Centre, Ottawa
New Works: Tania Alvarado, Kathy Ochoa (2000)—collaboration with Tania Alvarado: sound design, composition and performance; Brian Webb Dance Company, Edmonton
20/20 Vision (1999)—collaboration with Tania Alvarado: composition and performance; Brian Webb Dance Company, Edmonton
Artist Residencies
STEIM (Amsterdam, Netherlands): To create and present the work-in-progress of the audio/video art performance production I Dream Eye. (2004)
Studio XX (Montreal, QC): To work on I Dream Eye, a solo performance production for accordion and computer interactive performance interface commissioned by New Adventures in Sound Art for the SoundPlay Festival, Toronto. (2004)
Deep Listening Institute (Kingston, NY): to complete the creation of a computer interactive performance interface through modification of the Expanded Instrument System (as developed by Pauline Oliveros and David Gamper using Max/MSP) to include real time triggering/processing of video, sound files, and multiple performers, with the programming assistance of Luke Dubois (Columbia University, NYC). (2002)
STEIM (Amsterdam, Netherlands): To experiment with STEIM software, and to create a composition using interactive computer technology and the accordion. (2000)
Awards
Edmonton Artist Trust Fund Award (2015)
Edmonton Arts Council Travel Grant (2012)
Milton Avery Graduate School of the Arts, Bard College, MFA Fellowship (2005 & 2006)
Alberta Foundation for the Arts, Individual Projects, Multidisciplinary (2003)
Canada Council for the Arts, New Media, Creative Development Grant (2002)
Edmonton Arts Council Travel Grant (2002)
Alberta Foundation for the Arts, Multidisciplinary Creative Development Grant (2001)
Alberta Foundation for the Arts Award for Career Development (2001)
Canada Council for the Arts Travel Grant (2000)
Edmonton Arts Council Travel Grant (2000)
Alberta Foundation for the Arts Award for Career Development (1999)
Canada Council for the Arts, New Media, Creative Development Grant (1999)
Alberta Foundation for the Arts Award for Career Development (1998)
Non-Profit Boards
Edmonton Media Hive—founder/producer of workshops & skill share events, 2016-2018
Raylene Campbell 